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the perfect strangershe misses colin the most at night, when, waking from nightmares, her hand reaches out into the darkness for someone who is no longer there.
an unexpected message flares briefly on her screen, long enough for her heart to drop into her stomach in surpriseher ex-boyfriend's little sister's ex-boyfriend? sighing, she types a hello and strains her memory to recall what she knows of this boy from their one brief meeting. his name is aaron. tall. shaggy bed-head hair. sleepy hazel eyes. she lightly touches the keyboard, entertaining the notion that other people might feel as lonely at night as she does.
"tell me a secret," she types to him.
"why should I put my trust in you?" he asks, surprised.
"who better to trust than a stranger?"
so he does.
a five minute secret turns into an hour long story, then a night-long conversation.
the next morning, after telling this boy how colin broke her, she wakes to a message in her inbox:
The world is yours.
Boys are stupid.
NPR three minute story submissionShe closed the book, placed it on the table, and finally, decided to walk through the door. That low rumble had been Tom's temperamental engine; she was sure of it. The sound had tattooed itself on the inside of Anna's ears ages ago. Maybe he was sitting in the front seat of his car, trying to work up the courage to knock. Maybe his brows would knit together and his mouth would quirk and he would say, "I missed you, Sunshine," though he had never once called her by that nickname. Maybe she could apologize, and he would kiss the insides of her wrists, the back of her neck, her eyelids.
Yes, she could hear a car door opening. If she listened hard she thought she could even make out the rustle of his corduroy jacket.
Go outside, said her heart.
Wait, said her brain.
She began to count aloud. "One, two, three, four"
Anna was eight when her baby brother was born. He was little more than a fragile bag of bones and organs, an accident waiting to break her heart. Every night she'd snea
Thank You, Slater.I used to go to the nearby campus coffee shop in the early evenings, armed with a pen, a blank notebook, and writer's block. The sense of loneliness was unspoken but well accounted for.
I always shared coffee-counterspace with the same boy, who never smiled or talked and who had a penchant for bedhead and argyle sweaters. He liked to lean back on his stool, balancing precariously as he read novels, and I liked to pretend I wasn't watching him watch me. We coexisted in quiet companionship, thrived quietly under fluorescent lighting which sometimes caught his thick-framed glasses.
His novels changed while my notebook remained the same; his dogeared copies of The Sound and the Fury and Animal Farm distracted me as I doodled stars on blank pages, waiting for something that could not be explained.
It was raining. I remember that. His glasses fogged up when he walked in, his tousled black hair dripped water on my elbow.
"Why don't you ever write in your notebook?" he asked, turning to me w
numbit is two o' clock in the morning and i can't sleep. or i sleep too much. one of the two, and the pills make three. they stew and burn the back of my throat; the chemicals dissolve and form words.
the medical literature didn't say anything about that. or the numbness in my arms and legs. the tingling has crept up my right leg for the past week, weaving itself between my toes and nipping at the back of my knee. maybe it's a side effect, or maybe it's diabetes. or a blood clot. maybe my foot will need to be amputated, and i will have to hobble down the aisle for our wedding.
he coughs beside me, still fast asleep, and i touch one of his eyebrows so softly that maybe i am imagining the wiry hair against my fingertip. will he still love me if i only have one foot? i could ask him. i should shake him into reality and tell him about the burn and the tingling and the wedding photos that i will likely ruin.
"i'm sorry," i say, just to hear the words aloud, but he doesn't wake up.
the one tha
no one warned the little girlssometimes you will fall in love with the hands
or with the jawline, not with the penis.
watch out for boys whose eyes
are rougher than their voices.
little girls love hard and fast, and it is a lie
to say that words will never hurt you.
kissing in the rain is not romantic.
it's cold and wet, and your nipples
will be like pebbles digging into his skin.
he'll wipe water from your lashes,
and, if he is polite, he'll pretend
not to notice his thumb blackened by mascara.
later as he sleeps you will watch his lips,
unable to feel anything except your hair
curled damply against your skin.
when you were young, sex was strange
and scary and unreasonable.
when you grow older, that doesn't change at all.
please, do not use the flavored condoms.
getting married tastes like a wedding
invitation, heavy cardstock and eggplant ink.
if you cut your tongue and bleed
all over the calligraphy, it's bad luck.
when you speak your vows and look in his eyes,
you will still feel the blood
in your mouth, warm a
waiting.he has been there for so long that the girl sometimes wonders if he is part of the beach, if the seaweed and shells fuse themselves to his ankles at night and grow over his browned legs like ivy. he is always still, so still, eyes focused on something distant in the waves that the girl can't quite see, though she tries. the man has a face like a creased paper bag and she finds herself wishing that she could see inside his head.
she watches him all day from the corner of her eye but no one ever joins him in his vigil. he is alone in casting shadows that grow longer and longer as the sun sets. the girl wonders what it is like to be so alone and decides she'd rather be lonely on the beach than spend all her time with people, particularly the people she knows who seem to be full of incessant questions and sharp elbows.
the man is waiting, and so instinctively she waits too.
the girl is the only one to see him cut his palm wide open on a shell. she watches the red droplets fall heavily on
the personal ad of a writerumpteen year old woman, married once to the false hope of literary promise, from themiddleof, nowhere.
i spend night by fire, with a wish to fall in to bear beautiful, melting scars. burn off all my hair. singe my eyelids. sleep in cinders. i spend time in bed alone, celibate, not-sleeping, not-dreaming, too-tired, just-thinking.
i am often seen wearing a coat of blue wool, holding a knock-off coffee-chain cup, carrying emotional baggage in a brown leather suitcase.
unemployed, undetermined, unattached, underwater, unimportant.
in search of a hand to hold, heart to spit out, lips to kiss the scars on my wrists, mouth to suck out my soul[ they are all more trouble than they are worth.
i write poems, but i am not a poet. poets are thieves of emotions and old words. my heart is something like a wild beast, rabid and fearsome and fearful, but i love with more than a love, just ask my annabel lee.
I.My bones were glass blown:
Crafted to curve lowly -
(un)beautifully - furling like
Imagine me transmuted, bursting through
desquamated skin. Picture my
clay-molded contours liquified
and awakened, shifted:
But I am unseasoned - grape-shelled,
guileless. Esotericism is overflowing
in my veins:
This path is as smudged as
its traveler (skidding yet
never slowed), clotted
Watch my fingers splay, breaking
from my tendons to
grasp tangible air
You can neither scorch nor
whittle me into
nail-sized hopelessness, only
Steeled, my jaw is set -
diffident, not shattered.
great peace and beautyi stretch with the branches
overhead, so that i might
grow, so that i might
blossom into something
more beautiful, something
more worthwhile, something
infinitely more than myself.
there is a lot of ugliness
involved in love, and we
shield our eyes to it like
it's the blinding sun,
that blinding truth.
please listen when i say
that the air is too thin
to fill us. please listen
when i say that i can now
understand "too thin." i
want you to hear me tell
you i want to get better,
and i want you to stay
around. i am so afraid
that my body won't, but
even more when i realise
your fingers have become
memories like sound, just
a white sheet of noise and
i realise now that my body,
that i, am so fragile as you
sink me down to the binding
of the pages, the book of
you and me.
what i need is for
you to hear me
when i say that,
just as our love,
i no longer need to
be as weightless
as the folding
stars, or thinner
than the galaxies.
i've long promised my
bones to emptiness,
to breathe lik
the look to letting you goi hope i ruined
like a smudge
i like reminding you
of the things
i am sure you proudly
ache my heart,
when i try
bookmarked my skin
where you last
so that i may
open the pages
and read us
when i feel a little
all i want is to look across
a span of space-
a floor, a bed,
the breath between
and see another
holding me like light
within warm eyes.
it is likely
we will not make it
through the night;
in this case,
i hope that,
with my last,
i learn to love
MirageYou know how you broke me,
but maybe you don't want to know,
or maybe you just don't care,
but I do.
You've been a mirage to me
for these last two years.
A veritable paradise,
always in sight but
perpetually out of reach.
And I know what I've done seems stupid but
when you are dying in the desert
you walk toward anything that looks like water
even though as you get closer and closer
you start to realize that it's probably nothing
you keep fucking walking because
you need it to be something.
And now that I'm finally close enough,
I'm forced to realize you aren't really there.
That you've never really been there.
couldn't bluei draw a picture of
a man in a silver box sells
75 cent coffee and bad bagels.
his shirt is the kind of blue no one ever
tried to name a crayon after.
tried to love you
and the morning is that same color,
the color of canned lightning-bugs and
unfiltered cigarettes and desire,
because that is all you
draw with couldn't blue.
i pay him 1.25 in change and purse-lint
so that a fourth-world factory can make more
silver boxes to sell more things
more stale blueberry muffins.
and he will keep gathering change
in 75 cent purse-lint increments
in the small sinking townships of
all the couldn't blue mornings.
and he will keep gathering the
ugly colors of
another side of desire
and he will wear those colors
on a shirt
those colors no one
body languagei listen and you cough
from down the hall
you are whistling
and i can still hear
your throat's identity
shuddering in each note.
it bothers me
that i know you like this.
i shouldn't be able to
wake up and find you
next to me.
i shouldn't feel my face
pressed against your chest,
i shouldn't feel my shirt and bra
cushioning the top of my head
like a makeshift pillow.
i am not who you want,
so you are not who i want.
i put on my clothes
with the intention of you
taking them off.
i'm sorry i don't
know how to love my body
but still want it
sex is a way to be close to someone.
it's a way to show your appreciation
in some tangible way
because humans weren't born
knowing any other alphabet
than body language.
don't look at it like it's some
sweeping down in the black of night
to steal the innocence
of a nation;
don't look at it like it's
robbing us of our health;
that without it,
we would not be here;
that without it,
we would be detach
for exit 165.in the outstretched wingspan of
tuesday night you'll find them:
the foothills slumbering jagged under
sixteen inches of loose sand and
the city hushed and glowing, lines
of porchlights strung together in suburban rows like
beads on a chain
your house was cavernous hollow like a lung
the colors were dim and
jaundiced, a quiet rush of tepid water
bent the silence while thirty years of
smoking hung ownerless
in the air like the cling of a dead moths to a wall
you tell me of a dream that's vague like
clouds in the sky like
clouds in the sink with
your body limp and damp like
hot tea bags and
your face like spilled milk
all of my angles bisected by your limbs you say
you're frightened to nightmare
of rotary telephones and roadkill and
of a morning where there isn't any water left
to fish or bathe or drown in
of birds that
hang all over the mazarine sky like
tiny perforations in the
infinity of the skyline.
IronmanHear me read it
My friends used to call William "Ironman" because the first time we kissed he got a nosebleed and the taste of his blood haunted me for a long time after it. We'd only been twelve years old and apparently the anxiety spiked his blood pressure to the point of combustion... I remember that when we were forced to take sex ed a few years later we were divided into separate classes for boys and girls, in case a diagram of an ovary was too risqué and we became animalistic and started clawing at each other in our seats, but nonetheless when our teacher Ms Jacobs had explained to us what an erection was in my mind all I could picture was the blood rushing to his nose and then the slash of cranberry across my blouse.
With the idea planted in his mind it didn't take long for William's hands to start wandering, but the image persisted. Every time I thought about just letting it happen I wondered what would happen if he got too excite
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scheinbar is a much-loved and well-known deviant. Just one look at her gallery, filled with enchanting photography, will have you mesmerized. A deviant for over 7 years, Christiane can always be found posting inspirational features as well as regularly commenting on other deviations and encouraging and empowering her fellow deviants. We are inspired and insist that you too stop by and congratulate ... Read More